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Passengers - Original Soundtracks 1 Original Soundtracks 1

United Colours
From the film "United Colours Of Plutonium"
(Tetsuji, Kobayashi, Japan)


From "Slug"
(Peter Von Heineken, Germany)

Don't want to lose my shirt
Don't want to dig the dirt
Don't want you to get hurt
Can't help it, I'm a flirt

Don't want to take your drugs
Don't want to be your slug
Don't want to overdress
Don't want to make a mess
Don't want you to confess
Not under duress

Don't want to be untrue
I want to be with you

Don't want to lose my nerve
Don't want to clothe the curve
Don't want to make you swerve
Don't want what I deserve
Don't want to change the frame
Don't want to feel your pain
Don't want to stay the same

Your Blue Room
From "Par-Dela Les Nuages/Beyond The Clouds"
(Michelangelo Antonioni/Wim Wenders, Italy)

It's time to go again
To your blue room
Got some questions to ask of you
In your blue room

The air is clean
Your skin is clear
I've had enough fun hanging 'round here
It's a different kind of conversation
Your blue room

Saw me coming
In outside
Saw me coming
Somewhere I can hide

And time is a string of pearls...your blue room
(I'm a swinger)
See the future just hanging there...your blue room
A new frame, a new perspective
Looking down on my objectives
Your instructions whatever their directions
Your blue room

Saw me coming
East by the moon
Saw me coming
Can you feel

(It's allright)

Your blue room

One day I'll be back...your blue room
Yeah, I hope I remember where it's at...your blue room

We see me slide
Won't you give me a home
So much for change
Zooming in
Zooming out
Nothing I can't do without
A lens to it all up close
Magnifying what no one knows
Never in company
Never alone
No car alarm
No cellular phone

Always Forever Now
End titles from "Always Forever Now"
(John Leng Qi, Hong Kong)

Always Forever
Always Forever Now
Always Forever
Always Forever Now
Always Forever Now
Always Forever Now
Always Forever Now
Always Forever

A Different Kind Of Blue
From "An Ordinary Day"
(Lurlene Clewman, USA)

Those cars
All new
So small
Down there
From here
So high
We drift
We fly
The twilight breaking through
A different kind of blue

More lights
Blue signs
More gold
More new
So small
So high
Down there
With the twilight breaking through
It's a different kind of blue

The twilight breaking through
It's a different kind of blue

Beach Sequence
From "Par-Dela Les Nuages/Beyond The Clouds"
(Michelangelo Antonioni/Wim Wenders, Italy)

Shoots on by

Miss Sarajevo
From The Film "Miss Sarajevo"
(Bill Carter US)

Is there a time for keeping your distance
A time to turn your eyes away
Is there a time for keeping your head down
For getting on with your day
Is there a time for kohl and lipstick
A time for cutting hair
Is there a time for high street shopping
To find the right dress to wear

Here she comes
Heads turn around
Here she comes
To take her crown

Is there a time to run for cover
A time for kiss and tell
Is there a time for different colours
Different names you find it hard to spell

Is there a time for first communion
A time for East 17
Is there a time to turn to Mecca
Is there time to be a beauty queen

Here she comes
Beauty plays the clown
Here she comes
Surreal in her crown

Dici che il fiume
It's said that a river
Trova la via al mare
Finds the way to the sea
E come il fiume
And like the river
Giungerai a me
You shall come to me
Oltre i confini
Beyond the borders
E le terre assetate
And the thirsty lands
Dici che come fiume
You say that as a river
Come fiume...
Like a river...
L'amore giunger
Love shall come
E non so pił pregare
And I'm not able to pray anymore
E nell'amore non so pił sperare
And I cannot hope in love anymore
E quell'amore non so pił aspettare
And I cannot wait for love anymore

Is there a time for tying ribbons
A time for Christmas trees
Is there a time for laying tables
And the night is set to freeze

Operatic interlude by Luciano Pavarott

Ito Okashi ("Very Interesting" or "Very Pleasant")
From "Ito Okashi/Something Beautiful"
(Rita Takashina, Performance At Wakari Hotel Theatre Centre, Fukushima)

Utsukushiki mononi tuite katarimasho
Let's talk about something beautiful
Chikyujono anatano sugu chikakuno
On the face of this earth, something very close to you
Omomukino arumononi tuite
About something that is tasteful
Muneno kodoo takameru monono yoni
Like something that makes the heartbeat faster
Kito narikaga ito okashi
Certainly/probably something is very interesting/pleasant

Japanese translation by Makoto Ishii

One Minute Warning
From "Ghost In The Shell"
(Mamoru Oshii, Japan)

A lonesome soul
In an old black boat
A lonesome frown
What a way to go
Chasing though
The strings to hold
In in an old black coat
A lonesome soul
A lonesome soul
A lonesome soul

Corpse (These Chains Are Way Too Long)
From Gibigiane/Reflections"
(Aldo Gianniccolo, Milan)

Hey, see you soon
Sail through your room
I'll meet you there

Hey, be my friend
Stay 'til the end
Don't walk away
Hey, hey, hey, hey...

Hey, take 'em off
Don't talk that way
Don't feel my lover say
Hey, hey, hey...

Chains move that thing
Chains we can see
My chains way too long
Chains in this
Chains move that thing
Chains we could see
Chains are way too long
And I hear my song
Hear my song

Elvis Ate America
From The Film "Elvis Ate America"
(Jeff Koons, New York)

Elvis...white trash
Elvis...the Memphis flash
Elvis...didn't smoke hash
Would've been a sissy without Johnny Cash

Elvis...didn't dodge the draft
Elvis...had his own aircraft
Elvis...having a laugh
On the Lisa Marie in a colour photograph

Elvis...under the hood
Elvis...with Cadillac blood
Elvis...darling bud
Flowered and returned to the Mississippi mud

Elvis...ain't gonna rot a Memphis plot
Elvis...he didn't hear the shot
And Dr. King died just across the lot from...

Elvis...vanilla ice cream
Elvis...girls of fourteen
Elvis...the Memphis spleen
Shooting TVs reading Corinthian's 13

Elvis...with God on his knees
Elvis...owned three TVs
Here come the killer bees Head full of honey potato chips and cheese
Elvis...the bumper stickers
Elvis...the white knickers
Elvis...the white nigger
Ate at king burger and just kept getting bigger

Elvis...sang to win
Elvis...the battle hymn
Elvis...the battle to be slim
Elvis ate America before America ate him


Elvis...the public enemey
Elvis...don't mean shit to Chuck D.
Elvis...changed the center of gravity
Made it slippy

Elvis...the pelvis
Elvis...the psalmist
Elvis...the genius
Elvis...forgive us
Elvis...pray for us

Plot 180
From "Hpnotize (Love Me 'til Dawn)"
(Peter Sedgeley, London)


Theme From The Swan
From "The Swan"
(Joseph Mamat, Hungary)


Theme From Let's Go Native
From "Let's Go Native"
(Rodger Vuijkers, South Africa, unreleased)